What are the benefits of creating a panorama landscape image versus a “straight” shot? There are a couple biggies I’ll share with you in this article.
Size
I’m sure you’ve heard the term “Go big or go home!” Well, creating a panorama image makes it possible to create images with lots of pixels to make large prints. This is true even for small format cameras. If you are traveling and don’t wish lug all your pro gear a point and shoot can be employed to enjoy large prints without a lot of hassle.
As I use Micro Four Thirds gear, my sensor is half the size of Full Frame so I use this concept. Here’s an example. A single image is around 5100 pixels x 3800 pixels which will easily print to 13 x 18 inches at 300 PPI. If I were to crop in for a panoramic view there would be a loss of even more pixels. The same scene captured as a panorama in six overlapped images processes out to 10,500 pixels x 5000 pixels. These dimensions allow for a print that is 17 x 35 inches at 300 PPI which can easily be printed larger as well.
Shape
Especially in the landscape genre, the panoramic format many times can tell a better story of your scene. In this case, I could have used a super wide angle lens and cropped in to a panoramic view. Since I’d be starting with a 20 MP image, the resulting file would be panoramic but difficult to print large.
Best capture practices
The best way to capture a horizontal panorama is to turn the camera on it’s vertical position. You can easily get away with about a 30% overlap in your captures. I tend to use a 50 percent overlap, especially when it’s a place or situation that probably won’t be replicated. If possible rotate the camera around the light entry point. Using the light entry point will combat parallax. This will help your software in stitching the images with better accuracy and less distortion. Here’s a link to how to find the light entry point on your camera and lens combination.
Great travels to you!
Yours in Creative Photography,
Bob
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- Posted on October 15, 2024
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Bob is a lens-based artist and has had the honor and privilege to author books and articles on photography and has presented seminars and programs from Hawaii to the Caribbean. As a former Panasonic Lumix Ambassador, he has been able to stay up with the latest technology in the micro four-thirds cameras and now uses OM System cameras. Coates is a successful commercial and fine art photographer and photo educator based in Sedona, AZ with his wonderful wife who makes it possible for him to do all he does in the photography industry. Join Bob in Sedona, Arizona, a Dark Sky Community for Milky Way and Night Sky Photography Workshops. Need a speaker in your area? Get in touch.
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