How the Sony a9 III Stacks Up in DxOMark’s Sensor Analysis

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Close-up of a Sony Alpha a9 camera body, featuring the E-mount without a lens attached. The camera's branding is visible on the top, and its texture and control dials are highlighted against a white background.

DxOMark’s test results for the Sony a9 III are in, and they tell a story of innovation tempered by compromise.

The a9 III’s global shutter sensor—a technological leap forward—has been lauded for its speed, but DxOMark’s findings reveal the costs that come with revolution. For photographers who crave precision and performance, understanding these trade-offs is essential.

DxOMark, a French laboratory renowned for its scientific approach to image quality analysis, has built a legacy of transparency and rigor. Since 2008, the company has dissected the technical prowess of camera sensors, lenses, and smartphone cameras. Over the years, DxOMark’s ratings have become a benchmark for photographers who demand more than marketing promises. With the a9 III, DxOMark confronted one of the most highly anticipated cameras of the decade, bringing its meticulous testing to bear on Sony’s groundbreaking global shutter sensor.

Graph titled "Color Sensitivity" displaying three lines, comparing color sensitivity to measured ISO for Sony a1, Canon EOS R3, and Sony a9 III. Lines slope downward, showing sensitivity decreasing with higher ISO. Color-coded lines with varying dot markers.

The a9 III is the first in Sony’s lineup to fully adopt this technology, marking a departure from traditional stacked CMOS sensors. Global shutters eliminate rolling shutter distortion, a problem familiar to photographers and videographers who shoot fast-moving subjects. With this technology, straight lines stay straight, no matter how rapid the motion. For sports photographers and photojournalists, the implications are profound: no more skewed goalposts, warped wheels, or distorted horizons. Action, as it happens, is captured with unparalleled accuracy.

 Sony a9 II (orange), Canon EOS R3 (red), and Sony A9 III (yellow). The y-axis represents exposure value (EV), and the x-axis shows ISO levels.

DxOMark’s analysis affirms the sensor’s stunning speed. The a9 III achieves readout rates that rival or exceed its peers, enabling blackout-free shooting at 120 frames per second. Sony’s Exmor RS sensor architecture ensures every pixel captures light simultaneously, giving users instant precision. However, this design prioritizes speed over dynamic range, and DxOMark’s testing reveals the consequences. The a9 III sensor scored 84, below the Sony a1 and Nikon Z9, and even lagging behind older models like the Canon EOS R3. This isn’t a sensor for landscape photographers who chase rich gradients and shadow detail. Instead, it’s a tool tailored for professionals who prize immediacy over tonal perfection.

Color depth is another area where the a9 III trades capability for speed. At lower ISOs, DxOMark recorded slight desaturation compared to Sony’s previous generation cameras. The a9 III performs admirably in higher ISOs, maintaining clarity where others falter. This is significant for sports and event photographers working in controlled lighting conditions or less-than-ideal venues. But for those who lean on their cameras for nuanced color work in natural light, the limitations could disappoint.

Global shutter technology also impacts noise performance. Unlike traditional sensors, the a9 III sacrifices signal-to-noise optimization to achieve rapid exposure. DxOMark’s tests show noticeable noise creeping into shadows at base ISO, a departure from Sony’s usual dominance in this field.

A line graph shows the signal-to-noise ratio (SNR) at 18% for Sony a9 II, Canon EOS R3, and Sony a9 III across measured ISO values from 50 to 102400. The SNR decreases as ISO increases, with three colored lines for each camera.

Still, the a9 III shines in its focus on real-world application. Sony’s engineers have refined the camera to cater directly to professionals who rely on speed to get the shot. DxOMark noted the benefits of the a9 III’s shutterless design, eliminating mechanical failures and allowing for silent operation. Wedding photographers, wildlife specialists, and others needing discreet performances will appreciate the difference. Additionally, the elimination of rolling shutter distortion ensures a level of fidelity previously impossible for action photography.

In PetaPixel‘s review of the a9 III, it is evident that while the a9 III isn’t ideal for every photographer, those who need absolute speed will consider it worth the image quality trade-off. The review also called attention to noticeable noise and desaturation but recognized the global shutter as a landmark achievement.

For Sony, the a9 III represents more than a technological milestone. It signals a shift in how cameras will be designed moving forward. Global shutters aren’t just a fleeting experiment; they’re the foundation of an era where speed defines excellence. DxOMark’s findings underscore that this transformation comes with challenges.


Image credits:DxOMark

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